Big deal episode. Spike's back for an episode, and manages to upset the status quo enough that people and situations are different at the end of the episode than they were at the beginning. Even though the last episode was called ""Revelations," this is the episode where the secrets hit everyone in the face--and, in a proto-Spike way--he not only instigates it, but like the court jester, he voices what people aren't willing or able to say...maybe even to think.
The episode begins happy: SAT scores are back! Willow's faux depression over her very high but not perfect score is played for laughs, and she and Oz are adorable. fawning over a Pez witch. Cord and Buffy have much higher scores than would be expected, and Xander's less then stellar score is laughed off; he didn't expect better--and, more importantly, Cordy has pictures of him in her locker! That's much better than being smart.
The end of the episode, though...wrenching. Cordy nearly died, and tells Xander unequivocally to never come near her again; Oz and Willow are separate since Oz saw her kissing Xander; Joyce knows Angel is alive--and she isn't happy about it; and Buffy has told Angel they aren't friends and she's not coming back.
There's only a hint of Season three in here; the mayor appears, but briefly. No Faith, little Giles even. This episode is seminal, though, setting up or making explicit dynamics that push the show for the next 4 seasons. Spike is almost an emotional savant, a constant victim of his own emotions, but acutely aware of other's emotions as well--which means he often understands their actions and motivations better than they do. His prodding causes too nice Willow to stand up to him and say there will be no biting. He tells Angel and Buffy that they are not friends, ending an epic, foreshadowing speech with "I may be love's bitch, but I'm man enough to admit it," causing Buffy to confront her conflicted feelings about Angel and ultimately tell him that the only way they can be friends is if he tells her he doesn't love her. He can't, and the rest of the season is spent untangling their relationship (so he can go begin his own show, yes, I know).
Understanding the title is crucial to understanding the subtext. There's no apostrophe on the dvd. It's not the romantic balcony people stood on to see into the distance (also called Widow's Walk); it's saying that lovers walk away. Cordelia doesn't come back; Dru doesn't come back; Buffy basically doesn't come back, although they have their moments; Willow walked away briefly, and we know that ultimately, she chooses Tara instead of Oz. This is an episode about leaving--not even about the pain and aftermath, but the turning point where it happens.
And in the seeds of the end of Buffy/Angel, there's Spike. He doesn't tell us that Dru says he's obsessed with Buffy; we learn that later. But the loathing/working together dynamic of Buffy/Spike, and the trust that they both want to deny they feel towards the other--that's integral to this episode even as Spike has kidnapped Willow and Xander. And when Joyce dies and Spike tries to bring flowers (which Xander rejects without Buffy even knowing), it's easy to believe that Spike genuinely liked and mourns Joyce; that dynamic is set up in this episode too.
The dialogue in this episode is tight--Joss at his best. Some samples: http://www.buffyguide.com/episodes/loverswalk/loverswalkquotes.shtml Joss and co. rock at using language well!
Orwell Was Right
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Clandestine. That's a word I don't hear very often any more--a fabulous
word with rather seedy, sinister undertones. Civil rights. That's a phrase
I don't ...
15 years ago
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