Saturday, March 28, 2009

Passions

Interesting framing. Dark, sultry, voice overs of Angel talking about passion. I can't think of too many times (like anyother) that voice overs are used in the show. Passion "rules us all, and we obey. What other choice do we have?" In a corellary, Willow points out to Buffy that in one way, Angel and Angelus are the same: Buffy is still all he thinks about. Angel is taunting Buffy through her friends and family, talking to Joyce, in killing Willow's fish--showing that he's got power, that he can toy with them.

As a counterpoint to the Passion-theme, Giles counsels Buffy that she needs to push passion aside, that control is how she will triumph over Angel, that protecting her mom is in a sense counterproductive; Joyce doesn't need to know details about the danger Angel poses (of course, she gets details from Angel when he reveals that he can't sleep since he slept with Buffy).

Notice that passion wins, though. First, Buffy herself goaded Kendra into being angry, insisting that emotions made her a better slayer. But even in Gile's worldview, passion trumps patience. When Jenny is killed, he goes after Angel himself. No "let's make a plan." No "the time will be right." His girlfriend was killed; his home invaded--Angel is going to be held accountable. No one seriously believes Giles can take Angel. Giles lets passion win, and it would have probably killed him. When it comes down to it, Giles lets passion trump logic. Later in the series, when there are hard decisions to make and Giles prefers the "logical but difficult" choices, I have to wonder if that's a sign that he doesn't care about the people in question enough for his passion to kick in (seriously suggesting that Buffy kill Dawn before Glory can) or that he is using logic to justify passion (working with Robin to insure Spike's death). Buffy and Giles crying and hugging after she fights Angel to save Giles is also passion, but the "ectasy of grief" type. (Was it raining in that scene? Why do I think it was? I'm goint to check that) Buffy is now ready to kill Angel.

Also, Spike is the voice of reason here? He points out that Angel is not supposed to leave gag gifts in her friend's bed; he's supposed to kill her. He further observes: "If you ask me, I find myself preferring the old Buffy-whipped Angelus. This new improved one is not playing with a full sack." Whether we agree with Spike's mission, he at least has a clear view of the outcome. Spike isn't a sadist; Angelus is. The passion is in the torture and lead in--and neither Spike nor Buffy value that. It's worth noting that Dru sides with Angel on this. She likes playing with her food, one of them say in a different episode. (and note that they strongly hint in a couple different lines that Angel and Dru are also sexually involved, which would make sense. Spike and Dru's break up next season is foreshadowed in little ways)

The dialog in this episode
is good, quirky and ironic. The character's syntactical voices are fully developed by now, and that's one of the most appealing aspects of this show for me.

The metaplot is picking up steam now. So onward!

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